
In 1960 he composed “ Points on Jazz” for the American Ballet Theatre, and in later decades composed for and toured with the Murray Louis Dance Company. In 1959 his Quartet premiered and recorded his brother Howard’s “ Dialogues for Jazz Combo and Orchestra” with the New York Philharmonic, Leonard Bernstein conducting. Throughout his career Brubeck experimented with integrating jazz into classical forms. Choreographed by Lar Lubovitch, “Elemental Brubeck” is currently in the repertoire of the San Francisco Ballet and several other dance companies. His first orchestral composition, “ Elementals“, written for an improvising jazz combo and symphony orchestra was premiered and recorded in 1962. To everyone’s surprise “ Time Out” became the first jazz album to sell over a million copies and “Blue Rondo a la Turk” and “ Take Five” (now in the Grammy Hall of Fame) began to appear on jukeboxes throughout the world.Įarly in his career Brubeck wrote primarily for this Quartet, and some of those pieces, such as “ In Your Own Sweet Way” and “ The Duke” became part of standard jazz repertoire. The 1959 recording “ Time Out” experimented in time signatures beyond the usual jazz 4/4. Exposure to many different cultures was reflected in the group’s repertoire that sometimes incorporated exotic elements.

State Department sponsored the Quartet’s performances in Poland, India, Turkey, Sri Lanka, Afghanistan, Pakistan, Iran and Iraq. In 1958 the Quartet made their first of many international tours.

In 1954 Dave Brubeck’s portrait appeared on the cover of Time Magazine with a story about the jazz renaissance and Brubeck’s phenomenal ascendancy. The Dave Brubeck Quartet repeatedly won top honors in trade magazines and critic’s and reader’s polls. The group played in jazz clubs in every major city and toured in package shows with such artists as Duke Ellington, Ella Fitzgerald, Charlie Parker, Dizzy Gillespie, and Stan Getz. The Quartet’s audiences were not limited to students, however. The Dave Brubeck Quartet’s recordings and concert appearances on college campuses in the ‘50s and early ‘60s introduced jazz to thousands of young people. The legendary Brubeck-Desmond collaboration lasted seventeen years and beyond. After suffering a near fatal diving accident in 1951, Dave formed the Dave Brubeck Quartet with alto saxophonist Paul Desmond, who was also a member of the Octet. In 1949, Brubeck with Cal Tjader and Ron Crotty, fellow Octet members, cut their first award-winning Dave Brubeck Trio recordings. This cross-genre experimentation with like-minded Milhaud students led to the formation of the Dave Brubeck Octet in 1947. Milhaud encouraged him to pursue a career in jazz and to incorporate jazz elements into his compositions. After his discharge from military service in 1946, he enrolled at Mills College in Oakland, California to study composition with French composer, Darius Milhaud. While serving in Patton’s Army in Europe, he led a racially integrated band. Graduating in 1942, he enlisted in the Army, and shortly thereafter married Iola Whitlock, a fellow student at Pacific. While working his way through school as a pianist in local nightclubs, the lure of jazz became irresistible and he changed his major to music. When he enrolled at the College of the Pacific, in Stockton, California, his intention was to study veterinary medicine and return to the ranch. When he was 14, he started playing in local dance bands on weekends. He worked with his father on the 45,000 acre cattle ranch. Piano lessons ended and cowboy life began. He was 12 when his father moved the family to a cattle ranch in the foothills of the Sierras.
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With a career that spanned over six decades, his experiments in odd time signatures, improvised counterpoint, polyrhythm and polytonality remain hallmarks of innovation.īorn into a musical family in Concord, California - his two older brothers were also professional musicians - he began piano lessons with his mother at age four.

Dave Brubeck, designated a “Living Legend” by the Library of Congress, was one of the most active and popular musicians in both the jazz and classical worlds.
